5,277 Royalty-Free Audio Tracks for "Modular Drums"

I tried to make a friction drum by stringing a med handglove membrane to a wooden mortar. That mostly failed; i couldn’t control the pitch and make continuous sound. Here the membrane is stroked by a wooden pestle, making quite annoying sounds. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Shuffle notation in straight eighths (in drum set notation). Created by Hyacinth (talk) 21:48, 28 July 2008 in Sibelius.

Backbeat pattern on snare drum. Created in Sibelius. en:Image:Backbeat pattern snare drum.png

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Some raw one-shots from my doepfer a-100 modular synthesizer recorded and edited using ni maschine. In my ears they sound way better with a bit of compression, but i thought the unprocessed files would be more useful. Naming is super vague. Recorded back in may 2014. It's always nice to hear what projects you use these sounds for. Let me know.

Recording of a simple frame drum i had lying around. Captured using a rode nt5 microphone and a zoom h5 recorder. Edited in cubase 6. 5. Some of the samples turned out pretty noisy, sorry for that. :/.

A strange beat. Might be hard to use? it has go something. . .

Sequence done with analog modular synth, spring reverb and analog delay. Roote note is c - ish.

As the title says. . . Playing around. Added a beep and a sample. Works as a loop if anyone cant get enough :-d.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A beat dec 17 -17looplooplooploop.

Experimenting with jupiter storm as clock divider. A clock divider controlled with a fluctuating cv. Using a slew as a "brake". . .

More work with vclfos and lopping envelopes. And i'm using a one component rectifier. . .

3 chain connected looping envelopes slowly finding a rhythm. At the start of the recording i set the tree envelopes at random loop length. Slowly they work their way to a more simple rhythm. Why? at about 2 minutes the rhythm is rather short phrase.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

What. . . ? well, an interesting electronic sound. Maybe?!made with modular synth.

Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.

Simple beat in c.

More modular synth sounds. My sounds. Found the tag "sound-poetry". What is that? have to search.

Sound experiment made with modular synth.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

Chaos in controlnow have to fix my dish washererror code e:24.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

A drone with jupiter storm and function in some sort of feedback patch with injected cv from sloth - always sloth. . .

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

I tried to create a feedback loop with my delay. It'a a simple analog stomp box delay.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Yep, 4-stage shift register made with s/h.

Excerpt from longer krell patch recording.

A drone made with a modular synth.

Modular beat with "sinus bass drum". . . Playing around as usual.

The selected track. . . Electronic it is. . .

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Using nonlinearcircuits sloth lfo (regular version) to control volume, pan an some other stuff. . . Always nice to see/hear chaos in action. Sloth delivers cv and let me play with a ruffly tuned chord that goes thoughan analog delay pedal.

More sounds. More of my voice. . . "i am your friend".

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Electronic loop for you.

Playing with the compressor function in audacity version 2. 1. 1.

A short loop extracted from a loooong jam with my modular. The sound is processed in audacity. Have fun!.

Music made to a graphic score.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.